Jump first, think later.

I love collaborating with someone new because I have the feeling I am wandering into the unknown. With every new collaborative partner begins a process of developing a common creative language. That new language develops based on discussions about a given project, the existing project’s given material (an existing script or music), inspiring references (films, music videos, photographs, paintings), etc. It takes time for this language to develop. It’s a bit like an extended interview, where more questions are posed than answers given.

The thing I like so much about this process is the uncertainty. Those first exchanges reveal a grey area full of possibility. I have read that Dennis Villeneuve says this is the time when you’re still allowed to dream. It’s a beautiful process because you’re not yet locked into anything. While ideas fly around, both you and your collaborator are trying to measure if you are the right fit for each other. You’re sending thoughts back-and-forth and with each new observation, you get closer to a more concrete idea. This process yields both exciting revelations as well as frustrating roadblocks. And because you don’t yet have that creative shorthand you develop with long-time collaborators, each step forward comes with a steep learning curve. The possibility that you might not be the right fit for each other looms above, but the excitement that this could work keeps you going. It’s not a comfortable process, but that’s how you know it’s worthwhile. You are progressing, learning, moving forward.

What is trust? It’s not about knowing everything. It’s having confidence in the unknown. When making art, give yourself the possibility to not know. Say it confidently : “I don’t know.” Be vulnerable. Ask questions. Don’t be afraid of so-called “stupid” ideas. Jump first, think later.

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It’s not about you.